About

Short bio (100 words):

Annie Goh is an artist and researcher working primarily with sound, space, electronic media and generative processes within their social and cultural contexts. She completed her PhD at Goldsmiths, University of London in 2019 on archaeoacoustics and sonic knowledge production, where she was also a Stuart Hall Foundation PhD Fellow. She co-curated the discourse program of CTM Festival Berlin 2013-2016 and is co-founder of the Sonic Cyberfeminisms project since 2015 with Dr Marie Thompson. She is Lecturer & Course Leader of BA Sound Arts at London College of Communication, University of Arts London.

Staff research profile: https://www.arts.ac.uk/research/ual-staff-researchers/annie-goh

Twitter: @annie_goh

Longer bio (300 words):

Annie Goh is an artist and researcher working primarily with sound, space, electronic media and generative processes within their social and cultural contexts. Her work takes a critical approach to contemporary debates in the fields of digital technologies, media arts, generative and computational processes and communication studies, with a particular focus on sound, intersectional feminism, decolonial theory and the politics of knowledge production.

Exhibitions, performances and residencies include Mimosa House (2021, London, UK); Somerset House Studies AGM (2021, London, UK), Studio XX (2018, Montreal, Canada), Parabol, (2016, Bergen, NO), Sexing Sound (2015, Chicago, US), Inside-Out Art Museum (2015 Beijing, CN), Höhlenmediale (2015, Wendelstein, DE), NGBK (2014, Berlin), Heidelberger Kunstverein (2013, Heidelberg), Arthackday at LEAP and transmediale (2014, Berlin, DE), Tokyo Wonder Site (2013, Tokyo, JP) and Klangstaetten Stadtklaenge (2012, Braunschweig). Publications in Coming to Know: An Archaeology of Listening (2022), Flusser Studies (2022), Feminist Review (2021), Parallax (2017), n.paradoxa: feminist art journal (2016) & Flusseriana: An Intellectual Toolbox (2015). She holds an MA in Sound Studies and a Meisterschüler award in Computational/Generative Art, both from the University of Arts Berlin. She completed her CHASE/AHRC-funded PhD at Goldsmiths, University of London in 2019 on archaeoacoustics and sonic knowledge production, where she was also a Stuart Hall Foundation PhD Fellow. 

She co-curated the discourse program of CTM Festival Berlin 2013-2016 and is co-founder of the Sonic Cyberfeminisms project since 2015 with Dr Marie Thompson. She has taught in Fine Art, XD Pathway at Central Saint Martins, University of Arts London, at Goldsmiths University of London, University of Arts Berlin and Humboldt University Berlin. She is Lecturer & Course Leader of BA Sound Arts at London College of Communication, University of Arts London.